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Film Course: Surrealism in Cinema from Luis Buñuel to David Lynch
Essential Cinema II
The Liberated Film Club III with Sean Price Williams
ARTICLE
Raining Stones II: A View from Paris
By
Philippe Pilard
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Hours Is Not a Film
By
John Bradburn
Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
ARTICLE
Rewriting the Script on Film Development
By
Robin Macpherson
Tsuchimoto Noriaki: Film Is a Work of Living Beings
The Liberated Film Club IV with Chloe Aridjis
ARTICLE
Again For Tomorrow at the Royal College of Art
By
George Clark
Bion in Film Theory and Analysis Book Launch + Sea Cave Cinema
INTERVIEW
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands
By
William Fowler
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
EDITORIAL
Volume 3 - Issue 8 - What Is to Be Done: The Ways we Live Now
By
Gareth Evans
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