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Every Man for Himself
Ken Jacobs - From Orchard Street to The Museum of Modern Art
Edge of Frame: Collision #2
REVIEW
John Cassavetes Season
By
Robert Chilcott
ARTICLE
Faith in the Audiovisible: Into Great Silence and Devotional Cinema
By
Catherine Lupton
ARTICLE
The Switchboard Operator
By
Colin McArthur
ARTICLE
My Father’s Country
By
Maryclare Foá
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
ARTICLE
The Troubles We’ve Seen
By
James Leahy
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
LETTER
A Letter to Chris Smith
By
Ben Gibson
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
ARTICLE
Beetleski
By
Rosy Rockets
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