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By Steve McIntyre

Derek Jarman's Super 8 Film Cycle

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

By Dai Vaughan

New Zealand Artists’ Film: This is not Film-making

Taipei Story

ARTICLE

End of The Road?: A Great Lost Film of 1968

By Lee Hill

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

ARTICLE

Film as Subversive Art

By Scott MacDonald

Tokyo Story

ARTICLE

Rushes Short Film Festival

By Owen Armstrong

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Film Frame to Skin Cell

By Niamh McDonnell

ARTICLE

Kinoteka: Notes Towards London’s Sixth Polish Film Festival

By Nancy Harrison

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Aperture: Asia & Pacific Film Festival

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The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

Derek Jarman's Super 8 Film Cycle

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

New Zealand Artists’ Film: This is not Film-making

Taipei Story

ARTICLE

End of The Road?: A Great Lost Film of 1968

REVIEW

A. L. Rees's A History of Experimental Film and Video

ARTICLE

Film as Subversive Art

Tokyo Story

ARTICLE

Rushes Short Film Festival

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

ARTICLE

Film Frame to Skin Cell

ARTICLE

Kinoteka: Notes Towards London’s Sixth Polish Film Festival

A Brighter Summer Day