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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
He Wanted to Make Movies the Way Everybody Else Does!
By
Steven Sprung
Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s
ARTICLE
To the Independent Film Parliament
By
Alex Cox
REVIEW
Geoffrey Jones: The Rhythm of Film
By
Dai Vaughan
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg and Chris Williams
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
Essential Cinema I
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau and Leslie MacAvoy
ARTICLE
Film as Subversive Art
By
Scott MacDonald
REVIEW
Atlas of Emotion: Journeys in Art, Architecture and Film
By
Chris Darke
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