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ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ARTICLE

My Father’s Country

By Maryclare Foá

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

By Will Stone

ESSAY

Broken Trust of the Image

By Dai Vaughan

Drifting Shadows: Masterpieces of Finnish Cinema

ARTICLE

Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era

By Julia Knight

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

Belle de Jour

The Sacrifice

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White

ESSAY

Remote Lives?

By Peter Todd

ARTICLE

Screen Academy Scotland

By Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies

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ARTICLE

Joined-up Reading: The Problem of Subtitles

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The Empire’s New Clothes: Sally Potter’s RAGE

ARTICLE

My Father’s Country

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At Risk of Interment: WG Sebald in Terezin and Breendonk

ESSAY

Broken Trust of the Image

Drifting Shadows: Masterpieces of Finnish Cinema

ARTICLE

Re-store, Re-mix, Re-play: Moving Image Culture in the Digital Era

ARTICLE

I Long for Stalin and I Want Good Violence

Belle de Jour

The Sacrifice

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

ESSAY

U.S. and Them: I’m Not There and American Surrealism

ESSAY

Remote Lives?

ARTICLE

Screen Academy Scotland

That Day on the Beach