Archives

REVIEW

The Disappearance of Finbar II

By Sean Cubitt

ARTICLE

Palestinian Cinema: An Example for the Region?

By Omar Al-Qattan

EDITORIAL

Volume 1 - Issue 4 - Editorial

By Margaret Dickinson

ARTICLE

Hotel Diaries: John Smith Makes Room for Reflection

By Ian Christie

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

ARTICLE

Hello Fruitfulness

By Simon Cropper

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

By Will Stone

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

MANIFESTO

Two Thousand Words: A Manifesto for Prague

By Ludvik Vaculik

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

ARTICLE

This Spring, Leaves May Be Banned‏

By Rosy Rockets

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

By Jason Wood

ARTICLE

Ordinary Young Men

By Owen Armstrong

Related Items

REVIEW

The Disappearance of Finbar II

ARTICLE

Palestinian Cinema: An Example for the Region?

EDITORIAL

Volume 1 - Issue 4 - Editorial

ARTICLE

Hotel Diaries: John Smith Makes Room for Reflection

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

ARTICLE

Hello Fruitfulness

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

ARTICLE

I Like the FID and the FID Likes Me

MANIFESTO

Two Thousand Words: A Manifesto for Prague

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

ARTICLE

This Spring, Leaves May Be Banned‏

INTERVIEW

An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema

ARTICLE

Ordinary Young Men

Strange Objects: Reflections on British Colonial Legacies Programme 2