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By Nerina Moris

Close-Up on Rainer Werner Fassbinder

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Kieślowski’s Three Colours

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager

INTERVIEW

The Tokyo Mystery

By Ben Slater

Czech Mate: In Search of Jirí Menzel

Never on Sunday

ARTICLE

Widescreen

By Sarah Wood

ARTICLE

The Great Escape

By Julian Petley

REVIEW

Andrzej Munk's The Passenger

By David Balfour

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

INTERVIEW

Second Run, First class

By Kieron Corless

ARTICLE

Pécs: New Waves from the East

By Steven Yates

Related Items

Man of Marble

INTERVIEW

Nostalgia for the Light

Close-Up on Rainer Werner Fassbinder

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

Kieślowski’s Three Colours

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

INTERVIEW

The Tokyo Mystery

Czech Mate: In Search of Jirí Menzel

Never on Sunday

ARTICLE

Widescreen

ARTICLE

The Great Escape

REVIEW

Andrzej Munk's The Passenger

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

INTERVIEW

Second Run, First class

ARTICLE

Pécs: New Waves from the East