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By Jone Karres Azurmendi

An Elephant Sitting Still

REVIEW

The Exiles

By David Balfour

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

By Lee Hill

ARTICLE

Overheard in the Vertigo Café...

ARTICLE

A Letter from the Edge: Making and Surviving The Fall

By Peter Whitehead

ARTICLE

Two Views of Cannes: Virginia Heath, Goes to the Market

By Virginia Heath

Children of Paradise

ARTICLE

A Desperate Utopian Dream - Pedro Costa: an Introduction

By Mark Peranson

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

Close-Up on Maya Deren

ARTICLE

The Sins of the Father: Andrei Zvyagintsev in Conversation

By James Norton

ARTICLE

India Song

By Ken McMullen

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Content Anxiety: Programme One

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An Elephant Sitting Still

REVIEW

The Exiles

ARTICLE

Why and for Whom Do We Film Today?

INTERVIEW

Return of the Frontiersman: Rudy Wurlitzer in Conversation

ARTICLE

Overheard in the Vertigo Café...

ARTICLE

A Letter from the Edge: Making and Surviving The Fall

ARTICLE

Two Views of Cannes: Virginia Heath, Goes to the Market

Children of Paradise

ARTICLE

A Desperate Utopian Dream - Pedro Costa: an Introduction

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

Close-Up on Maya Deren

ARTICLE

The Sins of the Father: Andrei Zvyagintsev in Conversation

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India Song