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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
Regeneration? Part I: The Lottery: Where Will all the Money Go?
By
Steve McIntyre and Sally Hibbin
ARTICLE
The Mind's Eye: Chris Marker Level Five
By
Allan Francovich
ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ARTICLE
Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture
By
Vahid Valizadeh
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ARTICLE
Oberhausen 2009
By
Adam Pugh
ARTICLE
London: The Commonplace Transfigured
By
John Mepham
ARTICLE
The Gang that Can't Shoot Straight
By
Brian Robinson and Lucinda Henderson
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
ARTICLE
Belle Toujours
By
James Norton
REVIEW
The Main Course
By
the Celluloid Liberation Front
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