Archives

By Catherine Lupton

INTERVIEW

ICA Cinema: An Interview with Simon Field

EDITORIAL

Volume 1 - Issue 6 - Editorial

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

ARTICLE

Vertigo Café: The Critic as Litigant

By Julian Petley

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

By Sophie Mayer

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

REVIEW

Apichatpong Weerasethakul

By Rob Dennis

ARTICLE

Phonography and the Drift

By Owen Armstrong

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

By William Raban

REVIEW

Redacted: The Invisible Film on the ‘Invisible’ War

By the Celluloid Liberation Front

ARTICLE

Alfredo Garcia and Other Peckinpah Tales

By Lee Hill

ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films

By Tom Smith

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Faith in the Audiovisible: Into Great Silence and Devotional Cinema

INTERVIEW

ICA Cinema: An Interview with Simon Field

EDITORIAL

Volume 1 - Issue 6 - Editorial

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

ARTICLE

Godard's Sons: Why Are they all Bastards?

ARTICLE

Vertigo Café: The Critic as Litigant

ESSAY

The Empire’s New Clothes: Sally Potter’s RAGE

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

REVIEW

Apichatpong Weerasethakul

ARTICLE

Phonography and the Drift

ARTICLE

Expanded Practice in Television: Defending the Right to Difference

REVIEW

Redacted: The Invisible Film on the ‘Invisible’ War

ARTICLE

Alfredo Garcia and Other Peckinpah Tales

ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films