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INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

By Mark Goodall

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Film Course: Expanded Cinema

Essential Cinema V

REVIEW

Paris, Je t’aime: A Declaration of Love to Cinema

By Louise Hurtel

ARTICLE

African Cinema: Addressee

By Rod Stoneman

Drifting Shadows: Masterpieces of Finnish Cinema

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

By Louis Benassi

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

Why the Documentary Cinema?

By Henri Storck

Related Items

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

ARTICLE

The State of Things: Transition in South African Cinema

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Film Course: Expanded Cinema

Essential Cinema V

REVIEW

Paris, Je t’aime: A Declaration of Love to Cinema

ARTICLE

African Cinema: Addressee

Drifting Shadows: Masterpieces of Finnish Cinema

ESSAY

The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952

ESSAY

Three Images of May: Cinema and the Uprising

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

Why the Documentary Cinema?

American Portraits

The American Friend