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Studies in Movement: Experiments by Three Filmmakers
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
Tsuchimoto Noriaki: Film Is a Work of Living Beings
Death by Hanging
ARTICLE
Sex, Violence and Politics – Japanese Style
By
Jasper Sharp
Diary of a Shinjuku Thief
Deviant Traditions of Desire: Asian Cinema at the Intersection of Folklore and Transgressive Desire
ARTICLE
In Mystery Shrouded: On the Quays’ New Film
By
Paul Hammond and The Brothers Quay
INTERVIEW
As I See You You See Me
By
Julian Ross
Pre-history of the Partisans
Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s
Diary of a Shinjuku Thief
Histoire(s) du Cinema
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
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