Archives

By David Johnson

ESSAY

At the Edge of the World

By John Ellis

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

By Vahid Valizadeh

ARTICLE

London: A Metaphysical Mirror

By Adam Kossoff

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton

INTERVIEW

Let a Thousand Flowers Bloom

By Holly Aylett

ARTICLE

Slippages: A Cause for Unease?

By Liz Wells

ARTICLE

SoYo Square: The Studio of the North

By Paul Marris

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

By Libby Saxton

ARTICLE

In the National Interest?: Questions of Independence in Indian Cinema

By Gayatri Chatterjee

ARTICLE

Lights, Camera, Military Action…

By Guy Westwell

ARTICLE

Fajr Film Festival Diary, Iran

By Michael Chanan

Related Items

Deviant Traditions of Desire: Asian Cinema at the Intersection of Folklore and Transgressive Desire

Take Two: Mother India / I Am Cuba

ESSAY

Reality and Depth: Reflections on Art and Faith, Mind and the World

ESSAY

At the Edge of the World

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture

ARTICLE

London: A Metaphysical Mirror

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

INTERVIEW

Let a Thousand Flowers Bloom

ARTICLE

Slippages: A Cause for Unease?

ARTICLE

SoYo Square: The Studio of the North

ESSAY

Filming the ‘Unfilmable’: Thoughts on Shoah

ARTICLE

In the National Interest?: Questions of Independence in Indian Cinema

ARTICLE

Lights, Camera, Military Action…

ARTICLE

Fajr Film Festival Diary, Iran