Archives

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Paris, Texas

REVIEW

The Disappearance of Finbar I

By Joe Parry

The Servant

ARTICLE

Vertigo Café: Fatwa against Woman Filmmaker

Knife in the Water

ARTICLE

Vertigo Café: The Critic as Litigant

By Julian Petley

Wheel of Fortune and Fantasy

INTERVIEW

Missing, Camera, Action: Helen and the Longer Take

By Jerry White

Histoire(s) du cinéma

MANIFESTO

Kino Korrespondence

By Ken McMullen

Kieślowski’s Three Colours

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

Related Items

ESSAY

Kira Muratova’s Searing World

ARTICLE

Why and for Whom Do We Film Today?

Paris, Texas

REVIEW

The Disappearance of Finbar I

The Servant

ARTICLE

Vertigo Café: Fatwa against Woman Filmmaker

Knife in the Water

ARTICLE

Vertigo Café: The Critic as Litigant

Wheel of Fortune and Fantasy

INTERVIEW

Missing, Camera, Action: Helen and the Longer Take

Histoire(s) du cinéma

MANIFESTO

Kino Korrespondence

Kieślowski’s Three Colours

ARTICLE

I Like the FID and the FID Likes Me

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