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Histoire(s) du Cinéma
EDITORIAL
Volume 3 - Issue 6 - Editorial
By
Gareth Evans
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
Back Where We Come From...
By
James Leahy
ARTICLE
A Critical Voice
By
Henry K Miller
ARTICLE
Paris Nous Appartient
By
Robert Chilcott
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
On the Road
Close-Up on the Dziga-Vertov Group
Letter to Jane: An Investigation About a Still
Persona
A Woman Is a Woman
Breathless
Weekend
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