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By Scott MacDonald

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

By May Adadol Ingawanij

SCRIPT

The Western Lands: Proposals towards a Film

By Grant Gee

Audition / Momma Don’t Allow

ARTICLE

The Hours Is Not a Film

By John Bradburn

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

Alternative Film/Video

ARTICLE

Sundance Film Festival 2007

By Lucinda Henderson and Brian Robinson

ARTICLE

Viva Viva: An Exhibition at P3 Gallery, London, December 2008

By Anne Robinson

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Film as Subversive Art

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Why and for Whom Do We Film Today?

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From First Principles: A Prehistory of the Slade Film Department

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

SCRIPT

The Western Lands: Proposals towards a Film

Audition / Momma Don’t Allow

ARTICLE

The Hours Is Not a Film

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

Alternative Film/Video

ARTICLE

Sundance Film Festival 2007

ARTICLE

Viva Viva: An Exhibition at P3 Gallery, London, December 2008

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Aperture: Asia & Pacific Film Festival