Archives

EDITORIAL

Volume 3 - Issue 3 - Editorial

By Holly Aylett

ARTICLE

Filming in Russia

By Hannah Collins

ESSAY

Something in the Interval

By Marina Vishmidt

DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

ARTICLE

The Films of Peter Whitehead

By Robert Chilcott

INTERVIEW

From the Beats to the Beastly

By Jay Clifton

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

By Dai Vaughan

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

By Jerry White

ESSAY

No Hope without the Possibility of a Wound

By Gareth Evans

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

INTERVIEW

After the Garden

By Julian Ross

Related Items

EDITORIAL

Volume 3 - Issue 3 - Editorial

ARTICLE

Filming in Russia

ESSAY

Something in the Interval

DOCUMENT

The Abingdon Film Unit

ARTICLE

The Films of Peter Whitehead

INTERVIEW

From the Beats to the Beastly

ARTICLE

The Demonstration: Editing Unrest in Grosvenor Square

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

ARTICLE

Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema

ESSAY

No Hope without the Possibility of a Wound

ARTICLE

The Slade School and Cinema: Part Two

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

INTERVIEW

After the Garden

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s