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ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

By Elke De Wit

ARTICLE

Première Station: Jésus de Montréal- A Filmgrimage

By Sophie Mayer & Lady Vervaine

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Open City Documentary Festival

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

Sleep Furiously

By Graeme Hobbs

INTERVIEW

Food for Ravens

By Marc Karlin

ESSAY

Divisions Upon a Ground

By Dai Vaughan

ARTICLE

A Post-Colonial Call to Arms

By Jonathan Mitchell

REVIEW

Geoffrey Jones: The Rhythm of Film

By Dai Vaughan

ARTICLE

Jean-Luc Godard: Vivre sa Vie

By Frieda Grafe

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

Related Items

ARTICLE

I never thought that one day I’d have to pin my hopes on Hitler

ARTICLE

Première Station: Jésus de Montréal- A Filmgrimage

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Open City Documentary Festival

ARTICLE

Why and for Whom Do We Film Today?

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

ARTICLE

Sleep Furiously

INTERVIEW

Food for Ravens

ESSAY

Divisions Upon a Ground

ARTICLE

A Post-Colonial Call to Arms

REVIEW

Geoffrey Jones: The Rhythm of Film

ARTICLE

Jean-Luc Godard: Vivre sa Vie

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

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