Archives

By Niamh McDonnell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

The Liberated Film Club III with Sean Price Williams

ESSAY

Entering the Desert: The Book of Film Socialisme

By James S. Williams

ARTICLE

Dreaming of a World Without Evil

By James Leahy

INTERVIEW

Symbiopsychotaxiplasm: Take One and Take 2 2 ½

By Robert Chilcott

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

INTERVIEW

Henri Storck, Interviewed for Vertigo

By Michael Chanan and Julian Petley

ARTICLE

A Very Public Situationist

By Lee Hill

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Free Radicals: A History of Experimental Film followed by Q&A with Pip Chodorov

American Portraits

The Liberated Film Club II with Xiaolu Guo

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Film Frame to Skin Cell

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

The Liberated Film Club III with Sean Price Williams

ESSAY

Entering the Desert: The Book of Film Socialisme

ARTICLE

Dreaming of a World Without Evil

INTERVIEW

Symbiopsychotaxiplasm: Take One and Take 2 2 ½

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An Introduction to Chantal Akerman

INTERVIEW

Henri Storck, Interviewed for Vertigo

ARTICLE

A Very Public Situationist

Jonas Mekas: Short Films & Videos 1966–2017

James Benning: Landscape Suicide