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Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
Close-Up on Orson Welles
ARTICLE
Confluences
By
James Clarke
Extracted and Circulated: Material Exchange
Walerian Borowczyk: Obscure Pleasures
LETTER
Romantic, Beyond, Impossible and Heartbreaking
By
Ian White
ARTICLE
A Love Supreme: Samosas and Memory
By
Nilesh Patel
Sex, Politics, Art and Revolution: French Cinema in 1968
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
Close-Up on Michelangelo Antonioni
REVIEW
Future Cinema & Trafic 50
By
Chris Darke
Close-Up
BIOGRAPHY
Remembering Margaret Tait (1918-1999)
By
Annabel Nicolson, Peter Todd, Ute Aurand, Sarah Wood
The Beaches of Agnès
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