Archives

ARTICLE

Nokia-isation of Scottish Film Policy

By Mark Cousins

REVIEW

Andrzej Munk's The Passenger

By David Balfour

ARTICLE

Intimate Distance: On Moving Images in Live Performance

By Jack McNamara

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

ARTICLE

Final Residues of the Image: On Marcus Reichert

By Stephen Barber

ARTICLE

Ivan Passer's Intimate Lighting

By Graeme Hobbs, Mehelli Modi

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

By David Balfour

ARTICLE

Filmosophy: Re-imagining the Moving Image

By Tereza Hadravova

INTERVIEW

Documenting a Revolution – The Newsreel Archive: Barbara Stone in conversation

By Verena Stackelberg

ARTICLE

From Tet to Iraq: 40 Years of Conflict and Resistance

By Mike Marqusee

ARTICLE

Illuminating the Evidence

By James Riley

ARTICLE

A Winter’s Tale

By Graeme Hobbs

ARTICLE

Film sans Frontières

By Metin Alsanjak

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

Related Items

ARTICLE

Nokia-isation of Scottish Film Policy

REVIEW

Andrzej Munk's The Passenger

ARTICLE

Intimate Distance: On Moving Images in Live Performance

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

ARTICLE

Final Residues of the Image: On Marcus Reichert

ARTICLE

Ivan Passer's Intimate Lighting

INTERVIEW

Reverse Shot: Re-assembling the Invasion of Prague

ARTICLE

Filmosophy: Re-imagining the Moving Image

INTERVIEW

Documenting a Revolution – The Newsreel Archive: Barbara Stone in conversation

ARTICLE

From Tet to Iraq: 40 Years of Conflict and Resistance

ARTICLE

Illuminating the Evidence

ARTICLE

A Winter’s Tale

ARTICLE

Film sans Frontières

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

Close-Up on Apichatpong Weerasethakul