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A Blonde in Love / Poor Cow
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
Stephanie Barber: Letters, Notes
ARTICLE
Putting it on the Map
By
Alex Usborne
Two-Lane Blacktop
ARTICLE
Gate
By
Jo Lanyon
Zorro’s Bar Mitzwa
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
The Incredible Simultaneity Console VIII
ARTICLE
Gravity and Grace
By
Gareth Evans
Hamlet Goes Business
Sohrab Shahid Saless: Exiles
REVIEW
Waking Up from Cinema
By
Richard Wright
Edge of Frame: You, Me, Them
ARTICLE
The Independent Film Parliament
By
Holly Aylett
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