Archives

By Robert Chilcott

ARTICLE

Kinoteka: Notes Towards London’s Sixth Polish Film Festival

By Nancy Harrison

Studies in Movement: Experiments by Three Filmmakers

ARTICLE

First World Film

By Mark Cousins

Aperture: Asia & Pacific Film Festival

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

By Anat Pick

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

Tsuchimoto Noriaki: Film Is a Work of Living Beings

ARTICLE

Factual Format or Documentary?

By Edward Milner

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

INTERVIEW

The Ghost of Songs

By Lina Gopaul

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Kinoteka: Notes Towards London’s Sixth Polish Film Festival

Studies in Movement: Experiments by Three Filmmakers

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First World Film

Aperture: Asia & Pacific Film Festival

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Why and for Whom Do We Film Today?

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

Tsuchimoto Noriaki: Film Is a Work of Living Beings

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Factual Format or Documentary?

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A. L. Rees's A History of Experimental Film and Video

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Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

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The Ghost of Songs