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By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

Ecovisions: Seeing Animals in Recent Ethnographic Film

By Anat Pick

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

REVIEW

The Politics of Documentary: Michael Chanan’s Argument Considered

By Martin Carter

Tsuchimoto Noriaki: Film Is a Work of Living Beings

ARTICLE

Factual Format or Documentary?

By Edward Milner

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

Free Radicals: A History of Experimental Film followed by Q&A with Pip Chodorov

ARTICLE

The Independent Film Parliament

By Holly Aylett

Bion in Film Theory and Analysis Book Launch + Sea Cave Cinema

ARTICLE

Britdoc Festival 06: The Art and Business of Documentary

By Hannah Patterson

ARTICLE

Documentary on the Move

By Amy Hardie

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Ecovisions: Seeing Animals in Recent Ethnographic Film

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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The Politics of Documentary: Michael Chanan’s Argument Considered

Tsuchimoto Noriaki: Film Is a Work of Living Beings

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

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Britdoc Festival 06: The Art and Business of Documentary

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