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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
Naked City
By
Asa Jordan
MANIFESTO
Oblique Viewing
By
Alia Syed
ARTICLE
A Backward Glance at a Retrospective
By
John Krish
ARTICLE
The Persistence of Vision
By
Peter Sainsbury
ESSAY
Video Confidential
By
Catherine Elwes
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Talking Movies: Contemporary World Filmmakers
By
Bernd Herzogenrath
ARTICLE
Smoking Cabinet
By
Claire Cooke and Simone Pyne
REVIEW
Colossal Youth
By
David Balfour
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
ESSAY
Mondo Jodo: Anarchy and Alchemy: The Films of Alejandro Jodorowsky
By
Ben Cobb
ESSAY
On Being Paulette
By
Dai Vaughan
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