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ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Hungarian Cinema
By
John Cunningham
ARTICLE
The Memory of the World
By
Esther Johnson
ARTICLE
British Cinema – The View from Europe
By
Ian Christie
INTERVIEW
Raúl Ruiz: Hypothesis and Enigma
By
George Clark
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
DOCUMENT
In the Wake of Deadad
By
Andrew Kötting
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
REVIEW
Antonioni's The Passenger
By
Henry K. Miller
ARTICLE
Images of Another India: Notes on Media Education Initiatives
By
Margaret Dickinson
ARTICLE
Wholly Attending: Notes on the Lessons of Black Sun
By
Gareth Evans
REVIEW
To a Dog you're the World, to your Girlfriend you're never Sure
By
John Gorick
ARTICLE
Fires Were Started
By
Jerry White
ARTICLE
Illuminating the Evidence
By
James Riley
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