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By Go Hirasawa

ARTICLE

Cold Mountains, Red Armies

By Go Hirasawa

REVIEW

Andrzej Munk's The Passenger

By David Balfour

POEM

Spirit of Place: Kyoto Garden, London

By Tereza Stehlíková

ARTICLE

Intimate Distance: On Moving Images in Live Performance

By Jack McNamara

ARTICLE

A Recipe for Nothing

By Klaus Fried

ARTICLE

Russian Arks

By Graeme Hobbs and Gareth Evans

INTERVIEW

The Ghost of Songs

By Lina Gopaul

ARTICLE

Far North: Notes on a Process and its Result

By Asif Kapadia

INTERVIEW

One Meditation on Partition: Ken McMullen in Conversation

By James Leahy

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

By John Gorick

LETTER

Dear Derek

By James Marcus Tucker

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

By Mark Goodall

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance

By Dan Gretton

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Winter Kept Us Warm

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ARTICLE

Cold Mountains, Red Armies

REVIEW

Andrzej Munk's The Passenger

POEM

Spirit of Place: Kyoto Garden, London

ARTICLE

Intimate Distance: On Moving Images in Live Performance

ARTICLE

A Recipe for Nothing

ARTICLE

Russian Arks

INTERVIEW

The Ghost of Songs

ARTICLE

Far North: Notes on a Process and its Result

INTERVIEW

One Meditation on Partition: Ken McMullen in Conversation

REVIEW

To a Dog you're the World, to your Girlfriend you're never Sure

LETTER

Dear Derek

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

ARTICLE

“Somewhere as Yet Undiscovered”: Thoughts on Power, Desk Killing and Resistance