Archives

ARTICLE

Joined-up Reading: The Problem of Subtitles

By Jane Giles

QUESTION AND ANSWER

The Patagonian Hare

By Libby Saxton

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

ARTICLE

Cold Mountains, Red Armies

By Go Hirasawa

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

By Rosy Rockets

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

Agnès Varda: Gleaning Truths

ARTICLE

Nothing Is True. Everything Is Permissible.

By John Bradburn

Open City Documentary Festival

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

INTERVIEW

Moonstruck: Robert Lepage Floats in Space

By Jason Anderson

ARTICLE

The Third Mind of Christophe Honore

By Lee Hill

ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

BIOGRAPHY

An Introduction to Chantal Akerman

By Vivian Ostrovsky

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ARTICLE

Joined-up Reading: The Problem of Subtitles

QUESTION AND ANSWER

The Patagonian Hare

ARTICLE

All my Eye and Aristotle: Editing European Films

ARTICLE

Cold Mountains, Red Armies

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

Agnès Varda: Gleaning Truths

ARTICLE

Nothing Is True. Everything Is Permissible.

Open City Documentary Festival

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

INTERVIEW

Moonstruck: Robert Lepage Floats in Space

ARTICLE

The Third Mind of Christophe Honore

ARTICLE

Luminous Days: Notes on the New German Cinema

BIOGRAPHY

An Introduction to Chantal Akerman

Sex, Politics, Art and Revolution: French Cinema in 1968