Archives

By Sukhdev Sandhu

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

By Kathy Acker

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

ARTICLE

Phonography and the Drift

By Owen Armstrong

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ARTICLE

That Was the Mayday that Was: Photographing Resistance

By Sukhdev Sandhu

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

By Chris Darke

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

By Felicity Sparrow

ESSAY

A Joyful Noise

By Owen Armstrong

ARTICLE

A Post-Colonial Call to Arms

By Jonathan Mitchell

Related Items

After Gutta Percha: on Lab Laba Laba & Karel Doing

ARTICLE

Only Connect

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

ARTICLE

Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

QUESTION AND ANSWER

Altman Took Me Gambling

ARTICLE

Phonography and the Drift

ARTICLE

Transitions: Cinema and Video Art from Georgia

ARTICLE

BFI Films: A Remit for Cultural Diversity

ARTICLE

That Was the Mayday that Was: Photographing Resistance

OBITUARY

Fragments for H: A Personal Tribute to Hrvoje Horvatic

ARTICLE

The State of Things: Transition in South African Cinema

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

ESSAY

A Joyful Noise

ARTICLE

A Post-Colonial Call to Arms