Archives

By Graeme Hobbs

Jem Cohen: A Day in the Lives

Edge of Frame: Collision #3

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

ARTICLE

Ed Lewis: Programmer Notes

By Jane Giles

LETTER

Dear Derek

By James Marcus Tucker

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

By Robert Barry

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

By Anne Cottringer

ARTICLE

On Stephen Dwoskin’s Trying to Kiss the Moon

By Laura Mulvey

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

By Nicky Hamlin

LETTER

A Word in your Ear, Minister...

By Julian Petley

ARTICLE

A New Way Must Be Seen

By Sukhdev Sandhu

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

Related Items

Histoire(s) du cinéma

ESSAY

The Opened Hand: Reflections on Artur Aristakisyan's Palms

Jem Cohen: A Day in the Lives

Edge of Frame: Collision #3

ARTICLE

Godard's Sons: Why Are they all Bastards?

ARTICLE

BFI Films: A Remit for Cultural Diversity

ARTICLE

Ed Lewis: Programmer Notes

LETTER

Dear Derek

ESSAY

It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard

LETTER

Dear Commissioning Editor: 10 Years of Channel 4

ARTICLE

On Stephen Dwoskin’s Trying to Kiss the Moon

REVIEW

Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994

LETTER

A Word in your Ear, Minister...

ARTICLE

A New Way Must Be Seen

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura