Archives

By Holly Aylett and Margaret Dickinson

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

By Victor Shklovsky

ARTICLE

Between Land and Sea: Art and the Bigger Picture

By Steven Ball

REVIEW

Situationism Now

By David Pinder

ARTICLE

Controlled Collisions

By Tony Grisoni

ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

By Phil Gunson

ARTICLE

Wal-Mart: The High Cost of Low Price

By Nancy Harrison, Pepe Baena

ARTICLE

An Artist in the Floating World

By Maggie Lee

ARTICLE

Letter from Ouagadougou: On Fespaco’s Fringe

By Graeme McElheran

EDITORIAL

Volume 3 - Issue 8 - What Is to Be Done: The Ways we Live Now

By Gareth Evans

ESSAY

The Last Words of Antonin Artaud

By Stephen Barber

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In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

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The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

ARTICLE

Between Land and Sea: Art and the Bigger Picture

REVIEW

Situationism Now

ARTICLE

Controlled Collisions

ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

ARTICLE

Wal-Mart: The High Cost of Low Price

ARTICLE

An Artist in the Floating World

ARTICLE

Letter from Ouagadougou: On Fespaco’s Fringe

EDITORIAL

Volume 3 - Issue 8 - What Is to Be Done: The Ways we Live Now

ESSAY

The Last Words of Antonin Artaud

James Benning: Landscape Suicide