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ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
The White Ribbon
ARTICLE
People who Move to the City either Become Arrogant or Scoundrels
By
Elke de Wit
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
A Cinema of Challenge
By
Christophe Hochhäusler
ARTICLE
Anxious Visions
By
Keith Griffiths
The Seventh Continent
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir, Cathy Greenhalgh, Peter Culshaw
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Film as Subversive Art
By
Scott MacDonald
INTERVIEW
The London Film School at 50
By
Robert Chilcott
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ESSAY
Remote Lives?
By
Peter Todd
ARTICLE
A Place Weeping: Gaza and the Myriad Abuses
By
John Berger
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