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By Chris Petit

ESSAY

Trailer for Godard's Histoire(s) du Cinema

By Jonathan Rosenbaum

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

I Long for Stalin and I Want Good Violence

By Elke De Witt

REVIEW

Thoughts on Screen

By Catherine Elwes

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

By Brad Prager

REVIEW

Future Cinema & Trafic 50

By Chris Darke

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

By Penny Rimbaud

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

By Patricia Grzonka

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

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Terms & Conditions

ARTICLE

Whither the Avant-Garde: The ICA Biennial

ESSAY

Trailer for Godard's Histoire(s) du Cinema

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

I Long for Stalin and I Want Good Violence

REVIEW

Thoughts on Screen

ARTICLE

Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’

REVIEW

Future Cinema & Trafic 50

ESSAY

Turn On, Tune In, Cop Out: The Commodification of Revolution

ESSAY

Personal Cinema: Józef Robakowski’s Cinematic Works

INTERVIEW

At Least I Will Know My Face

Indefinite Visions Part I

Take Two: Kiss Me Deadly / Repo Man

Simon Payne: Systems Cinema

Absent Forces: The Politics of the Eerie in English Rural Moving Image