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By Sukhdev Sandhu

First Cow

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

The Early Films of Peter Greenaway

Close-Up on Chantal Akerman

ARTICLE

Think, Shoot, Distribute

By Peter Fraser

Making Films Together: Film Flamme + The Basement Project

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

My Grandfather’s House

By James Leahy

ARTICLE

Visual Art and the Moving Image

By James Swinson

ARTICLE

Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway

By Stephen Barber

ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

By Graeme Hogg and Chris Williams

ARTICLE

Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola

By James Leahy

ARTICLE

On Civil Defence and the Staging of Modern Politics

By Patrick Wright

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Absent Forces: The Politics of the Eerie in English Rural Moving Image

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Only Connect

First Cow

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

The Early Films of Peter Greenaway

Close-Up on Chantal Akerman

ARTICLE

Think, Shoot, Distribute

Making Films Together: Film Flamme + The Basement Project

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

ARTICLE

My Grandfather’s House

ARTICLE

Visual Art and the Moving Image

ARTICLE

Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway

ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

ARTICLE

Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola

ARTICLE

On Civil Defence and the Staging of Modern Politics