Archives

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

INTERVIEW

Let a Thousand Flowers Bloom

By Holly Aylett

ARTICLE

Alphaville Exists

By Chris Darke

ARTICLE

From Brit-Flicks to Shit-Flicks

By Julien Petley

ARTICLE

Risk Space for Invention

By Susan Benn

ARTICLE

Future Speak

By Stephen Bayly

ARTICLE

In this World

By Tony Grisoni

ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

By Phil Gunson

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ARTICLE

Japanese Documentaries Take Tokyo

By Fujioka Asako

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

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ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

INTERVIEW

Let a Thousand Flowers Bloom

ARTICLE

Alphaville Exists

ARTICLE

From Brit-Flicks to Shit-Flicks

ARTICLE

Risk Space for Invention

ARTICLE

Future Speak

ARTICLE

In this World

ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ARTICLE

Japanese Documentaries Take Tokyo

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

The Incredible Simultaneity Console III

Close-Up on Orson Welles

Made at CalArts: Experimental Animation, 1974 - Present

The Skin I Live In