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By Ruth Lingford

Histoire(s) du cinéma

DOCUMENT

Affirmative Actions: Sally Potter on Yes

By Sally Potter | John Berger

Where Is the Friend's House?

ARTICLE

He Wanted to Make Movies the Way Everybody Else Does!

By Steven Sprung

ARTICLE

London Eyes

By Stephen Barber and Jeremy Reed

INTERVIEW

A Death Dream! Dizzying! Dizzying!

By Michael Brooke

INTERVIEW

Symbiopsychotaxiplasm: Take One and Take 2 2 ½

By Robert Chilcott

LETTER

There Will Be no Cinema in Utopia

By John Jordan

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

By Jean-Michel Frodon

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

ARTICLE

The Enemy in the Brain

By Julian Petley, James Leahy

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

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Histoire(s) du cinéma

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Affirmative Actions: Sally Potter on Yes

Where Is the Friend's House?

ARTICLE

He Wanted to Make Movies the Way Everybody Else Does!

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London Eyes

INTERVIEW

A Death Dream! Dizzying! Dizzying!

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Symbiopsychotaxiplasm: Take One and Take 2 2 ½

LETTER

There Will Be no Cinema in Utopia

ARTICLE

''What you get is exactly what you see'': Denis Lenoir, Director of Photography

INTERVIEW

At Least I Will Know My Face

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The Enemy in the Brain

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Why and for Whom Do We Film Today?

Larry Gottheim’s Early Works