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By John Mepham

In Focus: Simon Liu 2: Life as Usual

ARTICLE

What Was GATT About?

By Michael Chanan

Jonas Mekas’s Requiem

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

Histoire(s) du cinéma

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

By Geoffrey Nowell-Smith

ARTICLE

Vertigo Café: Illuminating Cinematography

By Cathy Greenhalgh

INTERVIEW

Living in the Dark: An Interview with Jonathan Romney

By Chris Darke

ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

By Nick Denes

ARTICLE

The Man from London: Notes after the Event

By Dai Vaughan

ARTICLE

Like an Anaconda, Blowing in the Wind

By Mark Stafford

ARTICLE

The Hours Is Not a Film

By John Bradburn

ARTICLE

Four Nights with Jerzy

By John Riley

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In Focus: Simon Liu 2: Life as Usual

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Jonas Mekas’s Requiem

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Why and for Whom Do We Film Today?

Histoire(s) du cinéma

ARTICLE

Future of the BFI: Grandeur and Misery of Film Culture

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Vertigo Café: Illuminating Cinematography

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The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

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Like an Anaconda, Blowing in the Wind

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The Hours Is Not a Film

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Four Nights with Jerzy