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ARTICLE
Controlled Collisions
By
Tony Grisoni
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
ARTICLE
Cine Kazakhstan
By
James Norton
ARTICLE
It Happened Here
By
Dai Vaughan
ARTICLE
The Persistence of Vision
By
Peter Sainsbury
ARTICLE
Guy Maddin’s History of Cinema
By
Fergal Byrne
ARTICLE
Again For Tomorrow at the Royal College of Art
By
George Clark
ARTICLE
Shy Bairns Get Nowt!
By
Holly Aylett
INTERVIEW
Cinema of Attractions: On the Charismatic Worlds of Kiyoshi Kurosawa
By
George Clark
ARTICLE
Censorship and the BBFC: A Young Person's View of the UK's Censors
By
Annie Mae Rorke
ARTICLE
Crossing the Line
By
Hannah Patterson
ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
INTERVIEW
Without a Mask: Liv Ullmann in Conversation
By
Jone Karres Azurmendi
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
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