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ARTICLE

Who's to Say What We Should and Shouldn't See?

By Margaret Dickinson and Simon Reynell

Take Two: L'Atalante / Zéro de conduite

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

ARTICLE

The Chronos Project

By Malcolm Le Grice

The Double Life of Véronique

REVIEW

The Disappearance of Finbar II

By Sean Cubitt

L’avventura

REVIEW

Paulo Antonio Paranagua, Mexican Cinema

By Rob Rix

Close-Up on Éric Rohmer

ARTICLE

Vertigo Café: Friends of the BFI

By Julian Petley

Bill Morrison: The State of Decay

MANIFESTO

Kino Korrespondence

By Ken McMullen

The Village Shoemakers

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

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ARTICLE

Who's to Say What We Should and Shouldn't See?

Take Two: L'Atalante / Zéro de conduite

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

ARTICLE

The Chronos Project

The Double Life of Véronique

REVIEW

The Disappearance of Finbar II

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Paulo Antonio Paranagua, Mexican Cinema

Close-Up on Éric Rohmer

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Vertigo Café: Friends of the BFI

Bill Morrison: The State of Decay

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Kino Korrespondence

The Village Shoemakers

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I Like the FID and the FID Likes Me

Solaris