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INTERVIEW
Offshore Speculation: In conversation: Anja Kirschner, director of Polly II Plan for a Revolution in Docklands
By
William Fowler
ARTICLE
Unknown Pleasures
By
Sean Kaye-Smith
ARTICLE
A Filmosophy of the Dardennes
By
Daniel Frampton
INTERVIEW
Free Radical
By
Michael Brooke
ESSAY
Flash (Energy Transformation in Modern Cinematography)
By
Alexander Horwath
Image Inverts: Recent Work from the Artist Film Workshop, Melbourne
Scouting in Palestine
Essential Cinema
The New American Cinema and After
Mekong Hotel
REVIEW
Paris, Je t’aime: A Declaration of Love to Cinema
By
Louise Hurtel
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
QUESTION AND ANSWER
Bearing Witness... Tony Garnett on Cops, Community and the TV Audience
By
M.K. MacMurraugh-Kavanagh
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