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ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg and Chris Williams
OBITUARY
Sandra Lahire
By
Sarah Turner, Lis Rhodes, Sarah Pucill
POEM
Hideyhole and the Innersanctum
By
Andrew Kötting
ARTICLE
End of The Road?: A Great Lost Film of 1968
By
Lee Hill
MANIFESTO
The Belgrade Manifesto 2007
By
Jon Sanders and Nora Hoppe
INTERVIEW
Of Time and the City
By
John Bradburn
ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
QUESTION AND ANSWER
Propaganda for the Politics of Joy and Disorder
By
Stuart Comer
Blue
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
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