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ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
REVIEW
Dark Summer
By
Michael Dampier
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
ARTICLE
Gleaning the Future
By
Chris Dercon
ARTICLE
Future Speak
By
Stephen Bayly
ARTICLE
Tait Modern
By
Gareth Evans
REVIEW
The Poetry of Commitment
By
Gareth Evans
ARTICLE
Adequate Imagery
By
Paul Cronin
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau and Leslie MacAvoy
ARTICLE
Signal Fires at the Crossroads
By
Jem Cohen
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