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ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
Matthias Müller Early Film Works
ARTICLE
Jonah After the Year 2000: How to Live and Love, Then and Now
By
Joanne Barkan
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
Grandma’s Grammar: Memory’s Hands
ARTICLE
Concerted Efforts: Remembering Rock Against Racism
By
Mark Bedford
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
Nashville
ARTICLE
To See, If Only Once: Eurydice - She, So Beloved…
By
James Rose
INTERVIEW
God Exists in Cinema, and Nowhere Else
By
John Bradburn
Textile Cinema: Amy Dickson, Jennifer Nightingale and Mary Stark
ARTICLE
Fires Were Started
By
Jerry White
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
ARTICLE
How Very Dare He
By
Owen Armstrong
Jonas Mekas’s Requiem
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