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By Annemarie Jacir

ARTICLE

Godard's Sons: Why Are they all Bastards?

By Laurence Remila

Joji Koyama & Tujiko Noriko: Kuro

The Liberated Film Club VII with Anna Thew

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

By Elke de Wit

OBITUARY

Tribute: Tony Kirkhope

By Marc Karlin

Sansho the Bailiff

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

By Mark Goodall

Ringroads: Playfulness in British Psychogeography

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

LKFF: Piagol

ARTICLE

To See, If Only Once: Eurydice - She, So Beloved…

By James Rose

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

By Robert Chilcott

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Renewal: Artists’ Moving Image from New Zealand

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Salt of this Sea: Notes on a Shooting

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Godard's Sons: Why Are they all Bastards?

Joji Koyama & Tujiko Noriko: Kuro

The Liberated Film Club VII with Anna Thew

ARTICLE

People who Move to the City either Become Arrogant or Scoundrels

OBITUARY

Tribute: Tony Kirkhope

Sansho the Bailiff

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

Ringroads: Playfulness in British Psychogeography

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

LKFF: Piagol

ARTICLE

To See, If Only Once: Eurydice - She, So Beloved…

INTERVIEW

Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World

The Liberated Film Club X with Astra Taylor