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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
Vertigo Café: Friends of the BFI
By
Julian Petley
ARTICLE
Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller
By
Davina Quinlivan
INTERVIEW
A Long, Hot Summer in a Small Polish Town
By
Nancy Harrison
ARTICLE
From Darkness into Light: Policies for Audiovisual Development in Africa
By
Rasmane Ouedraougu
ARTICLE
Light Illusions Artists and Cinema; Filmmakers and Galleries
By
Felicity Sparrow
REVIEW
Epiphany Now
By
Hannah Patterson
ARTICLE
We Do the Real Thing
By
Christopher Roth
EDITORIAL
Volume 2 - Issue 5 - Editorial
ARTICLE
For the Common Wealth
By
Holly Aylett
ARTICLE
Film as Subversive Art
By
Scott MacDonald
ARTICLE
Penda’s Fen
By
Victoria Childs
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
LETTER
Rue Des Canettes: A Story of Paris
By
Eugène Green
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