Archives

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

INTERVIEW

Death Cultures, the Occupied Territories and Film

By Avi Mograbi

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

By Dai Vaughan

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

By May Adadol Ingawanij

REVIEW

A. L. Rees's A History of Experimental Film and Video

By Felicity Sparrow

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ARTICLE

To the Independent Film Parliament

By Alex Cox

REVIEW

Geoffrey Jones: The Rhythm of Film

By Dai Vaughan

ARTICLE

The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

By Steve McIntyre

New Zealand Artists’ Film: Apple Pie

Image Inverts: Recent Work from the Artist Film Workshop, Melbourne

ARTICLE

First World Film

By Mark Cousins

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Death Cultures, the Occupied Territories and Film

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Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ESSAY

From First Principles: A Prehistory of the Slade Film Department

ESSAY

Passenger: Reflections on the Unfinished Film of Andrzej Munk

ARTICLE

Disreputable Behaviour: The Hidden Politics of the Thai Film Act

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A. L. Rees's A History of Experimental Film and Video

Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

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To the Independent Film Parliament

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Geoffrey Jones: The Rhythm of Film

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The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

New Zealand Artists’ Film: Apple Pie

Image Inverts: Recent Work from the Artist Film Workshop, Melbourne

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First World Film