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Edge of Frame: Material Fragments
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
Saraband
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
Floating Weeds
ARTICLE
Gallivant I
By
Kimberley Cooper
“Useful” Women: Advertising and Information Films from the Archive
ARTICLE
Black Square, White Square
By
Jacquetta May
Eternity and a Day: A Tribute to Bruno Ganz
REVIEW
Rabbit Unrest
By
Joy Damousi
Essential Cinema
ARTICLE
Feel the Power, Experience the Pleasure: Contemporary Tehran and its Visual Culture
By
Vahid Valizadeh
Refuge
OBITUARY
When Faces Counted Most
By
Noah Isenberg
Uncle Boonmee Who Can Recall His Past Lives
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