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A Worm’s Tail View Is Often the True One: Films by Pere Portabella
Relentless Melt No. 31: Abstract and Experimental Animation from Hong Kong
ARTICLE
The Commission: Second Instalment of a Short Story
By
Hugh Brody
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
The Eye of Trust
By
Almendra Maria Mcbride Perez
INTERVIEW
Remixing Hollywood
By
Nadine Poulain
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
REVIEW
Land of Promise
By
Dai Vaughan
INTERVIEW
C.R.A.Z.Y.
By
Metin Alsanjak
ARTICLE
Extremes of Independence
By
Tetsuaki Matsue
INTERVIEW
The Squirrels Made it Seem Less Lonely: Terry Gilliam on the State of Things
By
Robert Chilcott
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
LETTER
There Will Be no Cinema in Utopia
By
John Jordan
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Athens Now: Radical Film from Contemporary Greece
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