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ARTICLE
Persistent Fallacy Gives Good Rhetoric
By
James Leahy
ARTICLE
A Love Supreme: Samosas and Memory
By
Nilesh Patel
REVIEW
Video Art
By
Catherine Elwes
ARTICLE
Older Women in Feature Films
By
Rina Rosselson
ARTICLE
Hello Fruitfulness
By
Simon Cropper
INTERVIEW
Lodge Kerrigan
By
Jason Wood
ARTICLE
King Lear
By
James Norton
Pasolini's Notebooks
Au Hasard Balthazar
Take Two: Eyes Without a Face / The Skin I Live in
Take Two: But Elsewhere Is Always Better / No Home Movie
Tokyo Story
Emplacing
Namme
The Skin I Live In
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