Archives

By Guy Westwell

Samuel Beckett and Cinema Book Launch

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton

ARTICLE

Cinema & National Memory in Bangladesh

By Catherine Masud

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

Free Cinema Edgware Road

By James Norton

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

By Felicity Sparrow

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Islands of Fire: The Cinema of Vittorio De Seta

Bion in Film Theory and Analysis Book Launch + Sea Cave Cinema

ARTICLE

Lights, Camera, Military Action…

Samuel Beckett and Cinema Book Launch

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

ARTICLE

The State of Things: Transition in South African Cinema

INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

ARTICLE

Cinema & National Memory in Bangladesh

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

Free Cinema Edgware Road

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ARTICLE

Light Illusions Artists and Cinema; Filmmakers and Galleries

Close-Up on Masters of Polish Cinema

Theatre Scorpio: Japanese Independent and Experimental Cinema of the 1960s