Archives

By Julian Petley

ARTICLE

Vertigo Café: 'Screen Griots' African Cinema in London

By Michael Chanan

ARTICLE

The Mind's Eye: Chris Marker Level Five

By Allan Francovich

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

By Chris Petit

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

The Dance Macabre of Tony Manero

By Lee Hill

INTERVIEW

The Mind of a Commissioning Editor

By Michael Chanan and Margaret Dickinson

ARTICLE

Dance of the Wind: Biography of a Colonised Heart

By Rajan Khosa

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton

ARTICLE

Iranian Impromptu

By Jack McNamara

ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden

SCRIPT

Cogels-Osylei

By Nicholas Royle

DOCUMENT

Affirmative Actions: Sally Potter on Yes

By Sally Potter | John Berger

ARTICLE

From Brit-Flicks to Shit-Flicks

By Julien Petley

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Vertigo Café

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New Technology: Two or Three Things I Know about 'Media Effects'

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Vertigo Café: 'Screen Griots' African Cinema in London

ARTICLE

The Mind's Eye: Chris Marker Level Five

ARTICLE

In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

The Dance Macabre of Tony Manero

INTERVIEW

The Mind of a Commissioning Editor

ARTICLE

Dance of the Wind: Biography of a Colonised Heart

ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

ARTICLE

Iranian Impromptu

ARTICLE

All my Eye and Aristotle: Editing European Films

SCRIPT

Cogels-Osylei

DOCUMENT

Affirmative Actions: Sally Potter on Yes

ARTICLE

From Brit-Flicks to Shit-Flicks